英语翻译另外,供养菩萨均为一足蹲一足跪在高耸的莲座上.这种塑像除了甘肃敦煌石窟和山西大同华严寺以外,在国内还不多见.佛坛的左梢间又有普贤菩萨骑像,两个菩萨胁侍,獠蛮牵着象,普贤
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更新时间：2024-04-19 16:23:34
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英语翻译
另外,供养菩萨均为一足蹲一足跪在高耸的莲座上.这种塑像除了甘肃敦煌石窟和山西大同华严寺以外,在国内还不多见.
佛坛的左梢间又有普贤菩萨骑像,两个菩萨胁侍,獠蛮牵着象,普贤像前有起陀和一个童子像.佛坛的右梢间是文殊菩萨骑狮像,拂林牵着狮子,两个菩萨胁侍.这和通常文殊居左,普贤居右的配置是不相同的.
殿内两梢间的极端前角,都立有护法金刚,形体魁伟,遥对而立；身披甲胄,手持宝剑,怒目而视.与我们在博物馆里看到的唐墓出土的武俑十分相似,只是比出土的武俑高大得多.
佛坛左端金刚的右侧,有一面颊丰满,袖手趺坐,大约40多岁的中年妇女塑像,形态亦宛然如生,……
此外,沿着佛殿两山墙砌台上还排列着五百罗汉塑像.据东大殿前明代嘉靖三十七年(公元1558年)十月二十三日重修佛光寺补塑罗汉碑记云,确系明代遗物.
东大殿内柱额上的几幅拱眼壁画,亦为唐代遗物.其中最为珍贵的是右次间内柱前额上的横幅.横分三组：中间一组以佛为中心,七菩萨胁侍.左右两组以菩萨为中心,其旁边又各有菩萨、天王、飞天等.壁之两端有僧俗供养人像,北面一排是披袈裟的僧徒,南面一列是袍服大冠的文官.内有一人,好像是在权衡长短,那嘴边上的胡须飘然若动,与敦煌画中的人物几乎没有两样.壁画颜色除石绿以外,都是深暗铁青色.各画像的衣纹姿态都极其流畅,具有唐代风韵,而画脸和胡须的笔法,还含有汉画的遗风
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